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The Science Fiction Hall of Fame, Vol. 1, 1929–1964: The Greatest Science Fiction Stories of All Time Chosen by the Members of the Science Fiction Writers of America
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The definitive collection of the best in science fiction stories between 1929 and 1964.Â
This book contains 26 of the greatest science fiction stories ever written. They represent the considered verdict of the Science Fiction Writers of America, those who have shaped the genre and who know, more intimately than anyone else, what the criteria for excellence in the field should be.Â
The authors chosen for the Science Fiction Hall Fame are the men and women who have shaped the body and heart of modern science fiction; their brilliantly imaginative creations continue to inspire and astound new generations of writers and fans.Â
In "The Roads Must Roll", Robert Heinlein describes an industrial civilization of the future caught up in the deadly flaws of its own complexity. "Country of the Kind", by Damon Knight, is a frightening portrayal of biological mutation. "Nightfall", by Isaac Asimov, one of the greatest stories in the science fiction field, is the story of a planet where the sun sets only once every millennium and is a chilling study in mass psychology.Â
Originally published in 1970 to honor those writers and their stories that had come before the institution of the Nebula Awards, The Science Fiction Hall Of Fame, Vol. One, was the book that introduced tens of thousands of young listeners to the wonders of science fiction. Too long unavailable, this new edition will treasured by all science fiction fans everywhere.Â
This collection also includes an introduction by Robert Silverberg and stories by Stanley G. Weinbaum, John W. Campbell, Lester del Rey, Theodore Sturgeon, Lewis Padgett, Clifford D. Simak, Fredric Brown, Murray Leinster, Judith Merril, Cordwainer Smith, Ray Bradbury, C. M. Kornbluth, Richard Matheson, Fritz Leiber, Anthony Boucher, James Blish, Arthur C. Clarke, Jerome Bixby, Tom Godwin, Alfred Bester, Daniel Keyes, and Roger Zelazny.Â
The complete list of narrators includes Oliver Wyman, L. J. Ganser, Richard Ferrone, Pete Larkin, Graham Halstead, Eliza Foss, Fred Berman, Michael David Axtell, Michael Braun, Rick Adamson, Gabriel Sloyer, Amanda Leigh Cobb, Neil Hellegers, Mark Boyett, David Shih, Alex Bloch, Jeff Gurner, and Tom Burka.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.Â
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Audible Audiobook
Listening Length: 28 hours and 10 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Blackstone Audio
Audible.com Release Date: December 19, 2017
Whispersync for Voice: Ready
Language: English, English
ASIN: B077YMK615
Amazon Best Sellers Rank:
This was a great read. The stories, practically without exception, were superlative SF: imaginative, clever and very well written. I even feel somewhat ... saddened ... to realize that many of the stories, and one in particular (from the mid-to-late 40's), were much, much better written than a lot of the work available today: I enjoyed everything immensely, but was amazed to discover this writer of nearly 70 years ago seemed to have a much better understanding of (and abilty to utilize) basic grammar, mathematics, and rudimentary scientific principles than do many of the "modern" authors I have read. Indeed, the capacity of readers to understand what many of these wonderful authors from long ago took for granted, could easily be described as "advanced" topics and concepts for many contemporary readers. I highly recommend this to fans of SF short stories. A few of the stories you may already know, but to me, they were even better on re-reading. Altogether, it's a wonderful anthology of many standout works and I am very glad I bought it.
The SF Hall of Fame series was established to recognize quality SF writing before the era of the HUGO and NEBULA awards. What a wonderful gift to the early SF pioneers who were shamefully treated by the mainstream of creative writers. Of course, SF writers themselves changed these negative impressions by the higher literary standards achieved in the 1950s and beyond by such writers as Arthur C. Clarke, Ray Bradbury, Isaac Asimov, Roger Zelazny, Ursala Le Quin, Joanna Russ, Frank Herbert (I'm having fun proving my point with this list, which could go on and on . . . .). This first volume is framed by two stories of a journey to Mars: "A Martian Odyssey" from 1934 (I wanted to make a movie version with Jack Nicholson as the hero) and "A Rose for Ecclesiastes" from 1963 (I wanted to make a movie version with Jack Nicholson as the hero). In those intervening 29 years SF writing matured from Stanley Weinbaum's rather primitive pulp fiction to Roger Zelazny's stunning modernist prose. The first story is just an action fantasy, with little science and the most rudimentary fiction techniques. Still it's a great read! It has action, humor, suspense and one of the great alien characters in the whole genre, the bird-like and noble-hearted Martian, named Tweel. Trust me: once you meet Tweel you will never forget it (?). The later distinction between Hard SF and Soft SF did not yet exist and I doubt it would have mattered to Weinbaum, who was not a professional writer. However, three decades later, we have a very professional, and polished writer in Roger Zelazny, who had internalized the main currents of modern literature as his references to Hart Crane, Rainer Maria Rilke, the Mahabharata, Shakespeare, Rimbaud attest. You get the point. For Zelazny, goddamit, SF is literature and occupies its own niche in world literature. His main character is a poet, an anti-hero with illusions of heroism, a scoundrel and a brilliant, imaginative individual who single-handedly saves a dying civilization from imploding. And what does he get for his efforts. Nothing, no material rewards, no recognition. In this, he resembles the existentialist anti-hero of main stream fiction in the 1960s. And Zelazny's style is breathtaking: metaphorical, lyrical, sarcastic (even sardonic), allusive, persuasive and, beneath Gallinger's tough talk, deeply moving, even empathetic. And Zelazny knew he was writing Soft SF, so he could indulge his imagination in creating his version of a SF Mars and an alien race inhabiting it. The distinction between Hard and Soft forms of SF clarified the intentions of writers so that their readers did not misinterpret the results. This volume is contains a plethora of short masterpieces which together create a vivid primer in the varieties of SF.
This is a collection of very good early science fiction. The selection is varied enough within the genre that you will find something to love here. No complaints about the quality of the writing. The readers all range from good to excellent as well. Where this collection fails is in the packaging and presentation.The disks all come in a thick plastic box that does not stay reliably latched. The disks sit loosely on a spindle inside this case, I guess there's about twenty of them. Nowhere in the package is there a table of contents showing which work is on what disk, and which chapters. They just run, one after another. About half the disks skip badly on the last chapter, they may or may not for you. As this is CD encoding rather than mp3, each story spans two or three disks. You fiddle around, sorting through a stack of loose cds, to swap out and continue the story. This is just not the way to package a collection of this kind.While I love most of these stories, the substandard packing will prevent me from buying the other two volumes.
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